All posts by Stephen Michael Brown

I've reviewed films for more than 20 years. Current movie reviews of new theatrical releases and direct-to-video or streaming films are added weekly to the Silver Screen Capture movie news site. Many capsule critiques originally appeared in expanded form in my syndicated Lights Camera Reaction column.

Movie Review: Superman: The Movie

Richard Donner’s Superman: The Movie (A-) perfectly captures the zeitgeist of comic strip wonder as the natural charmer Christopher Reeve suits up to play the American hero opposite a marvelously modern Margot Kidder as Lois Lane. Following an appropriately somber special effects laden origin story with Marlon Brando playing Superman’s father and a lovely pastoral wheat field coming of age passage in Smallville, the movie plunges into Metropolis and a megalomaniacal plan by Lex Luthor (Gene Hackman) to sink California and jack up coastal real estate prices. Donner paces the film precisely for the right tone and tenor to showcase a blossoming romance with Lois and Clark (and his more suave alter ego) and flights of fancy. Except for a misstep in the final reel that too easily resolves some of the plotlines, this is the template for what a great superhero movie can be.

Movie Review: Star Wars: A New Hope

George Lucas’s Star Wars Episode IV: A New Hope (A) is a swashbuckling outer space adventure inspired by Akira Kurosawa’s The Hidden Fortress. Reluctant hero Luke Skywalker (Mark Hamill) teams up with a surly smuggler Han Solo (Harrison Ford) and a mysterious wizard (Sir Alec Guinness) to help rescue the strong-willed Princess Leia (Carrie Fisher) from the clutches of the Evil Empire, lead by villainous Darth Vader (voice of James Earl Jones). Exotic desert spaceports filled with amazing creatures, just-in-time escapes in battleships and military-precision missions all factor in to the plot as our heroes venture forward to save the “Rebellion.” This film is amazing fun for all ages and is the one movie from this series that stands alone or can be viewed as the first part of the “classic trilogy.” Borrowing from fantasy serials such as Flash Gordon, the film creates its own good-versus-evil mythology and consistently entertains with cliffhangers and close calls. John Williams’ superb score and many of the film’s classic lines have simply become iconic.