The eager but naïve FBI agent played by Jodie Foster and the imprisoned cannibal played by Anthony Hopkins are the serial killer tracking duo for the ages in Jonathan Demme’s riveting thriller The Silence of the Lambs (A+). Exploring the deepest reaches of the human psyche with crackling dialogue, impeccable acting and edge-of-your-seat thrills, this is a master class of trying to figure out motivations before a killer or even a fellow hunter makes the next move. Demme intentionally shoots Foster’s character in a way that juxtaposes her as different in world of male-dominated law enforcement officials and female victims, allowing her to hold steady as an amazing protagonist even as vicious villains try to get in her head. Hopkins’ role as Hannibal “The Cannibal” Lecter is one of the great onscreen roles and fascinating in his every sequence.
Adding to the charm Harrison Ford brings to the heroic role, Steven Spielberg’s Indiana Jones and the Last Crusade (A) layers in a flashback sequence with River Phoenix as Young Indy and introduces an inspired casting companion: Sean Connery as Indy’s dad. The two Joneses go on a quest to find the Holy Grail (before the Nazis get it, of course!). The family dynamic helps make fresh what might otherwise feel like a retread. We get exotic locales from Italy to Jordan and a highly sentimental set of sequences as father-son bonding and bickering become a major part of the equation. Since Indiana Jones was always Spielberg’s James Bond type franchise, the pairing of Indy with the original 007 is a great casting excavation. It’s a triumphant send-off for a trilogy of outstanding action films; I’ll try to forget that one more misguided sequel happens many years later.
Related link: One of my jobs in the 1990’s was developing the in-store magazine and Website for a video rental chain called MOOVIES. Here’s one of the few remaining sidebars: A run-down of Sean Connery’s movies: Link here.
Peter Greenaway’s The Cook, The Thief, His Wife and Her Lover (A-) is a startling drama, all taking place in the confines of a swanky restaurant in which the colors of the characters’ costumes change in each room. This allegory features Helen Mirren and Michael Gambon as the central couple. She is an abused wife (the husband evidently is a symbol of Margaret Thatcher) who falls into the hands of the so-called “lover,” who represents intellectual dissidents. A secret love affair ensues right under the same roof where the brooding husband holds court each night over his feast. Greenaway films the movie in fleshy primary colors and uses Michael Nyman’s orchestral music to propel the story forward during the course of a series of days. All sorts of deceit and decadence are on the menu as the film swells to its stirring conclusion. It’s an obsessive and amazing film, not for the easily offended.
Ivan Reitman’s Ghostbusters (B+) is a marvelous confection about four exterminators of ghastly spirits (droll Bill Murray, goofy Dan Akroyd, uber-serious Harold Ramis and straight man Ernie Hudson) who must save New York from a Pandora’s box of supernatural creatures run amok. Sigourney Weaver is a treat as a possessed love interest, playing giddily opposite Bill Murray’s clowning. Despite the overindulgence in silly special effects, the acting ensemble makes this piece work by playing it super-serious. The biggest laughs are in the reaction shots: Of course that’s a skyscraper sized marshmallow man! And why wouldn’t there be demonic animals running in the street? Leading man Murray is a superb match for this material with his dry wit a ribald rapier to the funky fleet week of ghosts on the loose. Reitman corrals his grinning brigade into hilarious territory as the ‘busters take on haunted New York!
Star Wars Episode VI: Return of the Jedi (A-), directed by Richard Marquand, concludes a magnificent saga with an adventure to save Harrison Ford’s Han Solo, an excursion to a forest planet where Princess Leia confronts some family secrets and a battle between Luke Skywalker and Darth Vader for control of the universe. Treading some familiar territory, we have to blow up another Death Star and endure a few other retreads of movies past. And we may have some Ewok teddy bears as a merchandising tie-in. But it’s still wall-to-wall action, amazing new creatures (Jabba the Hutt! The Rancor Monster! Admiral Ackbar!) and lots of great moments in the details. No matter which of Lucas’ special editions you may be watching, you’ll be humming a tune as you complete the saga – and that tune will include the unspoken lyric, “I just watched awesome.”
Steven Spielberg’s Raiders of the Lost Ark (A+) is a rollercoaster ride through history as archeologist protagonist Indiana Jones races against time to find the Ark of the Covenant before the Nazis do. It is said to have powers that will protect an army; in the wrong hands, it could help evil forces conquer the world. Spielberg gives his grizzled hero simple tools (a bullwhip, an occasional map), a spunky girlfriend (Karen Allen) and a globetrotting trip from Peru to Egypt and beyond as he chases antiquities. Harrison Ford is at his very best in this role; and the effects and stunts are epic. This is one of the great modern adventures, told with wide-eyed wit and wisdom.
Star Wars Episode V: The Empire Strikes Back (A), directed by Irvin Kershner, deepens the human emotions of the Star Wars characters, giving Harrison Ford’s Han Solo and Carrie Fisher’s Princess Leia a witty repartee and Mark Hamill’s Luke Skywalker a more self-assured step into his destiny to becoming a Jedi Knight. But the villains – Darth Vader and his boss The Emperor – are ready for some payback, and tragedy and disappointment may be on the menu. This is the movie that introduces us to AT-AT imperial walkers that move like giant beasts through frosty terrains, freezing people in carbonite, a fantastic city in the clouds, Tauntauns, Wampas, Yoda and so much deepening of the folklore. Billy Dee Williams joins the cast as Lando Calrisean, and he’s a refreshing addition; like many other elements in the film, it’s hard to know whose side he’s on! It’s lush and lyrical, passionate and poetic and all the while still adventurous. This is the epic “space opera” that comes from George Lucas’ story with someone else directing and Lawrence Kasdan writing. The stakes are higher, and the adult drama comes brilliantly to life. It’s still basically a comic book storyboard come to life, but it’s epic as hell.
Richard Lester’s Superman II (A) plunges viewers right into the action with a spectacular Eiffel Tower stunt showdown evocative of a James Bond prologue leading up to a showdown with the three villains from Krypton, led by a deliciously diabolical Terence Stamp. Christopher Reeve’s Superman decides that romancing Lois Lane (Margot Kidder) is worth spilling his secret identity secret and possibly foregoing his superpowers in this film that balances the weight of the world versus the limits of love. Lester adds a tinge of additional tongue-in-cheek anarchy to the proceedings, which make the showdowns in the streets of Metropolis and in Middle America a whole lot more fun. This sequel flies high.
Richard Donner’s Superman: The Movie (A-) perfectly captures the zeitgeist of comic strip wonder as the natural charmer Christopher Reeve suits up to play the American hero opposite a marvelously modern Margot Kidder as Lois Lane. Following an appropriately somber special effects laden origin story with Marlon Brando playing Superman’s father and a lovely pastoral wheat field coming of age passage in Smallville, the movie plunges into Metropolis and a megalomaniacal plan by Lex Luthor (Gene Hackman) to sink California and jack up coastal real estate prices. Donner paces the film precisely for the right tone and tenor to showcase a blossoming romance with Lois and Clark (and his more suave alter ego) and flights of fancy. Except for a misstep in the final reel that too easily resolves some of the plotlines, this is the template for what a great superhero movie can be.
George Lucas’s Star Wars Episode IV: A New Hope (A) is a swashbuckling outer space adventure inspired by Akira Kurosawa’s The Hidden Fortress. Reluctant hero Luke Skywalker (Mark Hamill) teams up with a surly smuggler Han Solo (Harrison Ford) and a mysterious wizard (Sir Alec Guinness) to help rescue the strong-willed Princess Leia (Carrie Fisher) from the clutches of the Evil Empire, lead by villainous Darth Vader (voice of James Earl Jones). Exotic desert spaceports filled with amazing creatures, just-in-time escapes in battleships and military-precision missions all factor in to the plot as our heroes venture forward to save the “Rebellion.” This film is amazing fun for all ages and is the one movie from this series that stands alone or can be viewed as the first part of the “classic trilogy.” Borrowing from fantasy serials such as Flash Gordon, the film creates its own good-versus-evil mythology and consistently entertains with cliffhangers and close calls. John Williams’ superb score and many of the film’s classic lines have simply become iconic.