Movie Review: Colossal (2017)

If you’ve ever felt like the late-night denizens on a bender in your neighborhood bar or Uber pool could be as destructive to urban life as Godzilla, Mothra or a Giant Robot, you’ll find comfort in Nacho Vigalondo’s Colossal (B-), a hit or miss sci-fi fantasy with grander repercussions than are actually explored on screen. Anne Hathaway plays against type as a flighty NYC writer perpetually experiencing alcohol induced blackouts. Coinciding with her rural reboot to her childhood hometown, a worldwide panic breaks out with a gigantic monster appearing in Korea, and our protagonist and the creature just may be connected. Hathaway solidly anchors a far fetched and somewhat plot hole laden experiment with a tinge of a theme about the ripple effects of domestic squabbles and their unintended consequences. It’s a good thing the film’s undercurrents lean a bit on the feminist since the men in the ensemble including Jason Sudeikis, Dan Stevens and Tim Blake Nelson are fairly dreadful. The effects are impressive for what seems like a cult indie. Ultimately, it wasn’t quite an OMG when I was hoping it would at least be a BFG.

I've reviewed films for more than 20 years. Current movie reviews of new theatrical releases and direct-to-video or streaming films are added weekly to the Silver Screen Capture movie news site. Many capsule critiques originally appeared in expanded form in my syndicated Lights Camera Reaction column.

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Posted in 2017

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