Movie Review: Howard (2020)

Now playing on the Disney+ streaming platform.

An old axiom proclaims a feature film shouldn’t be less interesting than its makers sitting around discussing that very movie, but the reverse holds true for documentaries. Serviceable when it should be sensational, Don Hahn’s film about the life and word craft of Disney legend Howard Ashman, Howard (B-), strings very few pieces of found footage and plaintiff narration to memorialize a man who deserved a much more special tribute. After all, this lyricist and storyteller helped reinvent the wit and whimsy of an iconic animation studio while secretly harboring AIDS in the height of that epidemic. The film plumbs Ashman’s roots in theatre with glimpses into his stage musicals about man-eating plants and pageant queens before his breakthrough trilogy of animated mermaids, genies and a beauty who fell for a beast. His successes were largely posthumous, so there wasn’t as much AV evidence as is often the case of what it was like to know and work with him, and the eyewitnesses don’t really have the way with words that Howard did. The film does little more than sprinkle some pixie dust on a Wikipedia entry before it finally generates some tender moments toward the end. There’s also a nice bit in the recording studio with Jerry Orbach and Angela Lansbury voicing “Be Our Guest,” but it otherwise seems like Ursula the sea witch stole the soaring magic right out of the Disney vaults. While sometimes an interesting glimpse into a feisty and fabulous artist, this so-so documentary feels like it’s showing viewers just part of his world.

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