For a movie about looming death, Lulu Wang’s The Farewell (A) is a surprisingly joyous work. Her understated film is a near note-perfect glimpse at family dynamics as ordinary individuals endeavor to unravel the responsibilities of adulthood while confronting cultural dynamics in flux. Aspiring Chinese-American writer Billi, deftly played by Awkwafina, visits her Nai Nai (Mandarin for grandmother), beautifully embodied by Zhao Shuzhen, in Changchun, China for a poignant occasion. Although Nai Nai has a terminal illness, her family chooses to abide by a longstanding tradition to “carry the burden” for the matriarch and engages in a conspiracy to conceal the diagnosis from her. While the spry protagonist initially rejects the notion of deceiving her beloved relative, a series of heartfelt events bring insight and balance to a woman caught between worlds. Wang strikes a magnificent consistency of tone in telling this familial tale of the immigrant family’s return to the homeland, and she draws sincere and sentimental performances from her talented female leads. Although she also displays melancholy dramatic chops to great avail, Awkwafina’s humor is the tender translator at the film’s center. This cinematic family is one to remember and its story one of the delightful sleeper hits of the year.