Movie Review: The Green Knight (2021)

New in theatres from A24.

Welcome to the Arthurian art film that’s about to get medieval on your summer. A trippy and faithful adaptation of a 14th century poem, David Lowery’s Green Knight (aka Sir Gawain and the Green Knight by Anonymous) (B+) is both cerebral and eerie in its duration, culminating in a brilliant near dialogue free final act as the protagonist faces his fears. It’s essentially about a bit of a deal with the devil and the ensuing consequences as a knight musters the courage for a showdown that will seal his destiny. Dev Patel is engaging as flawed protagonist Gawain. Alicia Vikander as two characters – Essel and the Lady – and Joel Edgerton as The Lord also turn in outstanding performances as pivotal pawns along the massive chess board of an epic. The film is earthy, pulpy and often looks like a Renaissance painting come to life. The production design and costuming are exquisite. Because it is rather intellectual and episodic (with lovely ornate title cards, incidentally), it’s sometimes difficult to trace exactly where the film is headed (or beheaded) in the journey of its sweeping storyline; but even when the pace is slow, it is a mesmerizing piece of cinema. 

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