The title of Ruben Östlund’s Triangle of Sadness (C) refers to the fleshy polygon between one’s brows where expressed emotions unfurl on the faces of the “have nots” or stoic unwrinkled beauty is showcased among the Botoxed. Despite intriguing milieus for his human animals to act out their heightened histrionics, Östlund keeps a satirical distance from his mostly unpleasant ensemble. Much of the action takes place aboard a luxury yacht, with the most recognizable actor Woody Harrelson amusing in a glorified cameo as the lackadaisical captain. Harris Dickinson and the late Charlbi Dean play insufferable models on an influencer trip; they and most of the characters have very little to add to society aside from wealth or beauty. Dolly de Leon is wonderfully droll and dry as an emerging character who may be onto their ruse. The comedy is broad but regretfully redundant. The director knows his targets are obvious, and he literally drops grenades and gross-outs with gleeful anarchy to his wishy washy tale almost destined to polarize. The message in his bonkers bottle is pretty clear early, and it feels like the injections of his thesis treatment come in too many doses.