“Before Sunset” Reunites Linklater’s Talky Lovers

Richard Linklater’s Before Sunset (B) reunites the spontaneous lovers played so memorably by Ethan Hawke and Julie Delpy in Before Sunrise. This time the conceit is that the roving conversation (this time in Paris) plays out in real time. It’s a bit more experiment than narrative continuation and only occasionally nails universal truths as before. But rarely do you get films with emotions laid this bare, and it’s fascinating to watch what Jesse and Celine will do next.

“Spider-Man 2” Improves on Original

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Sam Raimi gets a bit more daring and delves into character a tad more in his superhero sequel Spider-Man 2 (B-), a remarkably more accomplished film than its predecessor, even though it is still weighed down by the missed casting opportunity occupied by the tepid twosome Tobey Maguire and Kirsten Dunst. There’s a deeper sense of gravitas in the masked man maintaining his parallel identities, and the super-villain (Alfred Molina as Dr. Octopus) demonstrates a good deal of menace, upping the stakes in this episode. Still, the tentacles of this adventure don’t really capture the imagination to the extent they should, and Raimi’s take on this potentially pulpy story rarely has the sting or the smarts that it could.

“Passion of the Christ” Depicts Gruesome Crucifixion, Leaves Other Jesus Highlights on Cutting Room Floor

Mel Gibson’s The Passion of the Christ (C+) is a peculiar cinematic work: a re-creation of the bloody death of Jesus Christ, which we presume is intended as an exercise to depict the intensity of personal sacrifice suffered by man’s ultimate martyr. As played by Jim Caviezel, the actor doesn’t get much opportunity to act the part but rather to be the part. Gibson should be applauded for authenticity in filming  on location and in the Aramaic language, although he throws in some bizarre effects and lingers on some strange exchanges that could play into charges of religious intolerance. The overall film is graphic and punishing and technically quite an accomplishment in its nightmarish depiction of brutality; but in telling the story of the life of one of the most remarkable figures to have ever walked the earth, it is a curious choice to hone in on only the torture that ended that life.

“Mean Girls” the Teen Comedy Sensation of 2004

Mark Waters’s Mean Girls (B+) is a hilarious sociological comedy about the class warfare teenage girls inflict on each other in high school. Lindsay Lohan is a delight as a teenager returning to America after living overseas until her junior year, and she is now exposed to the modern-day Heathers played by Rachel McAdams, Amanda Seyfried and Lacy Chabert. Infiltration of the cool crowd leads to dire consequences as the group lives and learns the Queen Bee mentality. Some jokes may hit too close to home for some, but this is a comedy that delivers.

“Kinsey” an Engrossing Glimpse at Sex Scholar’s Complex Life

Bill Condon’s Kinsey (A-) is a marvelous exploration of the life of a scientist who studied human sexuality in all of its forms. As played by Liam Neeson, it’s a revelatory performance, and so is Laura Linney’s as his wife. His controversies confound his expectations both scholarly and personally, leading to interpersonal drama. It’s a fascinating and well-made biopic.

2004’s “Crash” is Dramatic Parable on Racial Tension in America

Writer/director Paul Haggis’ Crash (A-) tells its tales of race and social tension and relationships in modern-day Los Angeles through the multi-character interlocking storyline format that Robert Altman made so famous. Don Cheadle, Michael Peña , Sandra Bullock, Thandie Newton and Matt Dillon are among the standouts in this passion project that turns a mirror up at society and shows its characters how each becomes a situational racist when threatened by unsettling environments. It is a challenging and provocative work.

“Million Dollar Baby” Stunning Showcase for Swank, Eastwood and Freeman

As director and the film’s leading man, Clint Eastwood fills the sports drama Million Dollar Baby (A) with a vital sense of surrogate family. His boxing coach protagonist along with his business partner (Morgan Freeman) take on a female trainee (Hilary Swank) to help her realize her dream of becoming a professional. As hopes are realized and tragedy strikes, this central trio sticks together through thick and thin. The film contains well-observed sequences of how humans behave under pressure-cooker situations both physical and emotional. It’s also doubtful you’ll see three performances this outstanding together in a film in some time.

“Kill Bill: Volume 2” a Somewhat Satisfying Conclusion

Quentin Tarantino’s Kill Bill: Volume 2 (B-) is the necessary conclusion to the vengeance spree being enacted by Uma Thurman’s jilted Bride; but it’s grittier and less fun than its predecessor. David Carradine gets more screen time as Bill along with a game cast. The action and body count continue to mount. It’s still very clever but not as fresh as the initial volume.

Père Noël is a Ne’er-do-well in “Bad Santa”

Père Noël is a ne’er-do-well in Terry Swigoff’s hilarious dark comedy Bad Santa (B+) in which Billy Bob Thornton plays the titular patron saint of the holidays as a drunk, foul-mouthed scoundrel and thief using his department store appearances as a front for his crimes. Lauren Graham, Tony Cox, John Ritter and Bernie Mac are among a winning ensemble trying to find the Merry in this Father Christmas. Swigoff balances physical comedy and wit to pull off his delicate comedy. It’s an outrageous and laugh-out-loud funny experience for those seeking an irreverent and ultimately heartwarming take on finding the diamond in a lump of coal.

“Cold Mountain” is Epic Drama

coldmountainAnthony Minghella’s Cold Mountain (B+) is a stirring Civil War-set adventure and romance with some of the best work done by Jude Law, Nicole Kidman and Renee Zellweger. The director deftly handles two parallel stories, invoking color and detail in the backwaters of battle. The film has epic sweep and intrigue throughout.

“Finding Nemo” an Animated Breakthrough

Finding_NemoAndrew Stanton’s Finding Nemo (A-) is a computer-generated treasure trove of aquatic animation featuring a winning school of voice talent including Albert Brooks as a cantankerous clownfish and Ellen DeGeneres as the forgetful regal tang named Dory. The story centers around losing your community and finding it again and sweeps the viewers along an amazing journey through the world’s oceans. Like the best Pixar films, the humor is double-edged so adults and kids can both enjoy immensely. The faces on fishes obey the rules of film school, so you can truly follow their dramatic and comedic interactions. It’s an epic adventure to cherish.

“X2: X-Men United” Mutates into Full-Fledged Action Film

With the origin story and mythology behind him, Bryan Singer is free to plunge viewers right into the action of a cloak and dagger adventure with his ensemble of mutant superheroes in X2: X-Men United (B+). Few of the affairs are as fast or fresh as before, but it’s fun to watch the deepening of characterizations such as Hugh Jackman’s Wolverine. Singer continues to plumb the analogies of the mutants’ outsider status to contemporary civil and human rights issues, lending more gravitas to the adventure than would normally befall an action adventure.