The coming of age musical fantasy Saturday Church (B), written and directed by Damon Cardasis, is a balm for modern times as well as a bit of a love offering, with tender and affecting performances set to soaring music punctuating a meaningful meditation on what makes a family. Luka Kain is magnetic as the teenage protagonist exploring his sexual and gender identity against the backdrop of a home befallen by tragedy and mixed signals. Margot Bingham is superb as his absentee but well-meaning mom, and Regina Taylor plays effectively against type as a judgmental guardian aunt, but it’s the gender fluid ensemble providing their own brand of sassy youth fellowship at the real-life NYC haven of the film’s title who are acolytes for the movie’s inclusive glory. MJ Rodriguez is the film’s heart as the teen protagonist’s big-sisterly companion, and Marquis Rodriguez is a winning delight as a friend and love interest. Interior monologues become bursts into songs (it’s hard not to think of some of it as a mini-Rent without the artsy angst); and although many of the sequences overreach, the film is a minor miracle, unflinching in its depiction of runaways and discarded outcasts who cannot always live up to the “Conditions of Love” described in one of the standout songs of Nathan Larson’s score. The film felt like it was evolving into the Billy Elliot of drag, what with our hero finding new ways to express himself, but stops short of striking a penultimate pose. It’s a generous, entertaining and important film.