Disney’s Mouse House has found a way to corral more currency out of Casa Mufasa and despite critical carping blowing across the savanna will likely have hakuna mutata (no worries!) about doing so. Jon Favreau’s remake of The Lion King (C-) is a largely joyless and superfluous affair, replacing traditional line drawing with a photo-realistic nature documentary CGI animation style. Not one element improves on the original, even though most of the content about a lion’s exile and return to assume control of his kingdom is still there. Voice actors Billy Eichner and Seth Rogen make the most of their Timon and Pumba characters amidst the dirge-like proceedings, riffing with abandon amidst an otherwise overly reverential storytelling format. Some of the best sequences in the original still work once transmitted through the Favreau facsimile, while many other emotional moments are rendered toothless. Donald Glover and Beyoncé deliver more lemon than lemonade in the voice talent department with indifferent line readings. The cuddly animated Simba cub will sell a lot of plush toys. Nostalgia factor and escape from the summer heatwave will lure folks in to the multiplex, but those expecting to have their pride rocked may be better served with a viewing of the delightful original.
Constructing a clever comedy requires a lot of bright component parts, and I suppose even Henrik Ibsen would marvel at the master builders behind this month’s blockbuster sequel! Veteran animator Mike Mitchell’s The LEGO Movie 2: The Second Part (B+), wisely written by 
There’s a whole new convention for comic book aficionados, and it arrives in the form of a brilliantly conceived and rendered animation style and congregation of fringe superheroes. Bob Persichetti, Peter Ramsey and Rodney Rothman’s Spider-Man: Into the Spider-Verse (B) is a triumph of visuals and tone, capturing comic book aesthetic and tongue in cheek escapism. The story sputters out a bit midway amidst the kaleidoscopic New York set pieces, layered characters with text bursts and eye-popping swirls and swatches of dimensional color. The inclusive film explores a multiverse of Spider-Man personas converging, which gives us a half African-American/half Puerto Rican protagonist, female fighter, film noir hero and anime Spidey in the mix for confrontation with audacious baddies. Shameik Moore, Jake Johnston, Hailee Steinfeld, Mahershala Ali, Nicolas Cage are among the voice talents. It’s fun for both purists and first-timers to the arachni-phile adventurer pantheon with an awesome message true to the late Stan Lee’s vision that everyone can be a hero.
Life’s a glitch for the best friends from the ‘80s arcade as they venture out into the worldwide web in Rich Moore and Phil Johnston’s uneven computer generated sequel Ralph Breaks the Internet (C). The great leap from 
Lee Unkrich’s animated Disney Pixar adventure Coco (B) is alive with vibrant detail in painting a compelling Día de Muertos fantasia of light, color and music. The story of a Mexican boy torn between heeding a duty to family and following his clarion call to become a mariachi musician, the film toggles between Lands of the Dead and the Living in which the young man’s ancestors, sometimes skeletal relatives, help guide him to his destiny. Anthony Gonzalez, Gael García Bernal and Benjamin Bratt are among the voice actors breathing life into wholly original characters. The story starts and ends strong with fun surprises around every turn, even though there’s a long portion in the film’s center that drags with too much exposition. It’s such a breakthrough to secure inclusion of so many specific Latin traditions that the film sometimes seems overstuffed in its own bounty, with superfluous characters and a few too many bells and whistles. Also for a film about music, there could have been more of it, and it could have been better. Ultimately it’s a thoughtful and positive entry into the Disney Pixar kingdom, and it could have only been accomplished via animation.
Co-directors John Clements and Ron Musker have animated quests with more Herculean tasks, drawn crooning crabs making a bigger undersea splash and created caves with greater wonders than the adventure afoot in Moana (C+), their mostly adrift Disney Polynesian epic wannabe. It’s quite enchanting to look at, at least for the first act; and newcomer Auli’i Cravalho brings lovely life to the brave and modern title character. Coupled with a goofy demigod convincingly acted and sung by Dwayne Johnson, the heroine embarks on an ill-conceived odyssey marked by listless villains, average banter and misbegotten mishaps. There’s one good song (of seven) played several times in the film, a propulsive anthem by Hamilton‘s Lin-Manuel Miranda called “How Far I’ll Go,” but alas its prescient title begs the answer “too far” or “not far enough.” The most inventive use of tattoos since Memento and a creative battalion of Mad Max style pirate ships cannot lift the story to the gravitas to which it sometimes aspires. Bogged down in bluster and with story conceits which fail to differentiate it in the Disney kingdom canon, the film is barely better than its makers’ Treasure Planet and The Great Mouse Detective. The co-directors have found unexpected box office success but might have been better off leaving this journey in the bottle.
Chris Miller and Phil Lord’s The LEGO Movie (B) is a clever, comedic and crowd-pleasing animated romp that will appeal to both kids and adults. Chris Pratt is the heart of the film as the central character who must summon his spirit as a master builder in a conformist world. Filled with kaleidoscopic vistas, thrilling chases and surprising cameos, it was almost overstuffed at times. It was fun how it toggled from sleek sophisticated effects to clunky movements like it was filmed in someone’s basement or backyard. Nearly “everything is awesome.”
Chris Buck and Jennifer Lee’s animated Disney movie Frozen (B+) mixes up the princess formula with some unexpected twists and largely enchanting results. This Scandanavian storybook adventure is filled with fresh ice effects, compelling heroines, charming sidekicks and winning songs by Kristen and Bobby Lopez. Kristen Bell and Idina Menzel’s power ballads and a snowman’s serenade to sunny climates – by Book of Mormon‘s Josh Gad – are among the highlights.