”A Quiet Place: Day One” is an Artful Prequel

The third installment in a film series about a world invasion by aliens with acute hearing, Michael Sarnoski’s prequel A Quiet Place: Day One (A-) is part apocalyptic horror tale, part romantic drama and part sci-fi spinoff. Because the characters have to remain largely silent to avoid the invaders’ detection, it is a showcase of the exquisite and expressive acting talents of Lupita Nyong’o as a terminally ill poet and Joseph Quinn as a British law student, plus one of the best feline performances committed to film (actually played by two talented cats!). This movie highlights the initial terrifying takeover by the earful extraterrestrials as they descend on New York City and lends an array of labyrinthine set pieces to the dystopian dread. It’s very exciting as the creatures chase the protagonists through alleyways, subway tunnels, turnstiles, cathedrals, harbors and beyond, with only water as a safe space for humans. The film is elegiac as a dying woman simply wants to consume a slice of her favorite pizza from Harlem, intruders be damned, and very charming as she and the legal lad showcase some serious chemistry and connection. Nyong’o in particular shines in this layered role. Within all the mayhem in Manhattan, the film is also an artful love letter to NYC. The opening titles share that the collective noise at any given point in the bustling metropolis is akin to a scream, and it’s moving to watch some of the charms of city living when divorced from the decibels. Sarnoski’s film stands alone as a suspenseful story but transcends the formula by digging deep into its central characters. It is trippy and taut and masterfully transposes the series’ rural family milieu into an urban adventure. Day One delivers.

Our reviews of A Quiet Place and A Quiet Place Part II:

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