Silver Screen Capture https://validator.w3.org/feed/docs/rss2.html Sashay, Brontë! In Praise of Fennell’s Fashionable, Foreboding “Wuthering Heights” Sundance Dramedy “Chasing Summer” Showcases Talents of Comedienne Iliza Shlesinger Gunn’s Inventive “Superman” a Maximalist Mixtape for Comic Book Movie Fans “28 Years Later” Brilliantly Bites Back Celine Song’s Smart “Materialists” a Heavenly Match for Hollywood Trio in NYC Big-Screen Spectacle “F1” Follows Formula with Precision Pitt Stops “Kpop Demon Hunters” All the Rage Hey Ya, Frankonia/Outcast: “Frankenstein” Format Presents Identity Issues Linklater’s “Nouvelle Vague” Celebrates Artistry in Purest Form Norwegian Family Drama “Sentimental Value” One of Year’s Best Zach Cregger Explores Another House of Whacks in Masterful “Weapons” Give Yourself Over to “Train Dreams,” Now on Netflix  “No Other Choice” Portrays the Dark Side of Job Search  Fascinating Sundance Documentary “Soul Patrol” Reunites Elite Black Vietnam Soldiers 50 Years Later Brazilian Film “The Secret Agent” is Entertaining, Subversive “A Mess of Memories” a Joyous and Cathartic Feature Debut Feature Story: Planning a Themed Watch Party – The Masters Golf Tournament ENZO Rolling Out Red Carpet Glamour at GTC Trilith Cinemas for Third Annual Viewing Party Bard to Tears: “Hamnet” a Showcase for Jessie Buckley and Paul Mescal “Hanging by a Wire” Chronicles Aerial Feats of Courage Sundance Premiere “Carousel” (2026) Makes You Pine for More Chris Pine “28 Years Later: The Bone Temple” Brings Character to Dystopian Times “Marty Supreme” is One Glorious Prattle After Another A.I. Thriller “Mercy” an Early Contender for Worst Film of 2026 “A Private Life” Notable Mainly for Jodie Foster Speaking French In Heartfelt, Melodic “Song Sung Blue” Biopic, Jackman and Hudson Have Never Been Better Submerged Questions About Israel Surfaced by Strong-Willed Kid at Center of “The Sea” “Scream 7” Sees Original Screenwriter Take Stab at Directing Seyfried & Glory: Actress Elevates Unconventional “The Testament of Ann Lee” “Sirat” Marches to its Own Hypnotic Beat “Project Hail Mary” is Peak Space Craft, Popcorn Flick Comfort Food for the Soul “Wake Up Dead Man” a Mid Mystery in “Knives Out” Franchise Emperor’s New Film: George Clooney Uninspired in “Jay Kelly” Vanity Project Indie Darling “Sorry, Baby” Puts a Warm, Wry Filter on Trauma Twisty Thriller “The Housemaid” is Often Clever But Overstays Welcome PTA Has a Lot on the Mind in “One Battle After Another” “Zootopia 2” Pushes City Limits of Adequate Anthropomorphic Comedy  “Avatar: Fire and Ash” a Slow Burn While Still Treading Water Golden Globes to Showcase Iconic Film Acting 1/11/26 Savage Good Time! Raimi’s “Send Help” His Best Work in Years Hot Dam! “Hoppers” Places Nature’s Engineers at Center of Habitat Showdown “How to Divorce During the War” Gracefully Examines Relationship Rifts Adjacent to Ukraine Conflict Sundance Doc “Birds of War” Splices POV of Two Powerfully Connected Witnesses to History Sundance Film “The Musical” Thinks It’s More Subversive Than It Is Supernatural “Sinners” Showcases Commanding Coogler  ”Nirvanna The Band The Show The Movie” is The Best Will Arnett is a Stand-Up Kinda Guy in “Is This Thing On?”  Trilith Cinemas Posts Showtimes as Trilith LIVE Rolls Out New Entertainment Complex “How Can We Be Lovers” If We Can’t Experience the “Diane Warren: Relentless” Documentary Together? The Real Housewitches of Oz Struggle in Inferior Sequel “Wicked: For Good”