Our human protagonist embarks on a “too good to be true” mission in a film that is often stylistically a good bit better than one would expect. 2024’s Alien: Romulus (B+) directed and co-written by Fede Alvarez, is the seventh installment in the long-running series as well as an “interquel” set between the events of the 1979 Ridley Scott original and the James Cameron 1986 sequel. In this film, a group of young space colonists scavenging a dilapidated space station confront one of the most terrifying life forms in the universe. Fascinating actress Cailee Spaeny is the head and shoulders standout in an otherwise unremarkable ensemble, and the dialogue isn’t going to win any awards; but the production design, spectacle and action sequences are all dynamite. Alvarez definitely makes his distinctive mark with a top-tier entry in the saga, buoyed by sinister cinematography courtesy of Galo Olivares, nimble editing by Jake Roberts and gripping orchestral music by Benjamin Wallfisch. As far as the film’s twisty plot points, there’s enough toxic masculinity and planned parenthood to fuel a national political campaign. There aren’t a lot of wasted shots once the action fully whips itself into an interstellar frenzy; then it’s almost too much of a good thing with a barrage of impressive stunts and sensational chases. This movie offers an entertaining thrill ride with plenty to enjoy for fans of the franchise.