Mick Jackson’s Denial (C) doesn’t do cinematic justice to a true-life tale of an American professor who has to defend herself in British courts for defaming a Holocaust denier. Rachel Weisz isn’t quite compelling enough, a serpentine Timothy Spall isn’t given adequate on-screen time and the court proceedings seem rather perfunctory. A trip to Auschwitz death camps provides some powerful context about history, forensics and the nature of truth. The story is a bit of a less literary Inherit the Wind with few surprising flourishes. With topics of this much gravitas, it just didn’t feel like the filmmakers’ passions were fully ignited.