The least interesting thing about famed opera singer Maria Callis is finding her usually wondrous soprano voice cracking and croaking during her final days living in 1970s Paris, and yet that’s exactly what Pablo Larrain chooses to dramatize in his impressionistic biography Maria (C). Angelina Jolie plays the Greek diva-as-artist as the film chronicles the temperamental behavior of her late career and flashes back to her tepid love affair with Aristotle Onassis, played charisma-free by Haluk Bilginer. Just like an opera, this psychological drama is structured in acts and culminates in tragedy. Larrain photographs the stately Jolie like she’s fresh out of a spring magazine shoot, but the glum persona she embodies is far from inspiring, despite her devotion to the role. And the lip syncing, even with multi-track blending, just doesn’t do the trick. Few actors in the ensemble including Kodi Smit-McPhee as a journalist make much of an impression, leaving Jolie in various poses within baroque rooms to sleep or stand and model. The third in Larrain’s film trilogy of important 20th century women in levels of distress (following Jackie and Spencer), this one is a considerable let-down, mainly mired in pathos with only a few arch lines to stir the soul.