Rabbit Hole (A) is a tearjerker of the first order with a never-better Nicole Kidman and Aaron Eckhart mining a groundswell of grief after the loss of their son. Director John Cameron Mitchell does an elegant and intimate job at getting to the heart of the story. Miles Teller is superb as the family’s son in flashbacks.
“Iron Man 2” Continues Marvel Momentum
Director Jon Favreau expands his mileu and enhances his aesthetic with an Iron Man 2 (B+) that builds on the giddy spirit of the first and allows Robert Downey Jr. to continue to hold court over gab and gadgetry. It’s a rip-roaring actioner with an even more personal story, higher stakes and an all-star supporting cast including Mickey Rourke as a villain and Scarlett Johannson and Samuel L. Jackson in Avenger roles. Gwyneth Paltrow returns, and Don Cheadle takes over the role originated by Terrence Howard. All in all, it’s a sensational sequel success.
“Shutter Island” Confounds Expectations
Martin Scorsese’s Shutter Island (B+) is the master director making a popcorn movie, like he did with Cape Fear. Leonardo DiCaprio and Mark Ruffalo go to an island asylum ostensibly to solve a crime, but they may soon find themselves prisoners of the mysterious place. This is great escapist entertainment with surprises at every corner.
Nolan’s “Inception” a Perfect Puzzle
Christopher Nolan’s Inception (A) is a perfect puzzle of a movie, with Leonardo DiCaprio helping sell the notion of highjacking peoples’ dreams . The high-concept effects and superb supporting cast including Ellen Page and Tom Hardy helps make the multiple parallel timelines work seamlessly. It’s a dazzling and inventive display of derring-do by one of the few directors who could pull thing kind of thing off.
Unsentimental “Social Network” About Facebook Founder Displays Craft and Cunning
David Fincher’s The Social Network (B) tells the true-life story of the founding of Facebook. Its fairly unlikable hero Mark Zuckerberg (Jesse Eisenberg) aside, the film is a glossy and smartly told story about the lengths folks will go to protect their vision and invention and how stone-cold they can be in discarding friends in the process. Andrew Garfield gets a “like” for his performance. Armie Hammer is also good in two performances as twin investors jilted by Zuckerberg. The film is a bit austere, cold and calculating like its subject, which doesn’t take away from its craftsmanship but maybe from its endearment. Aaron Sorkin wrote the absorbing screenplay which, along with the direction, is a highlight.
Tom Hooper Crafts Historic Hit with “The King’s Speech”
Tom Hooper’s The King Speech (A) is an unexpected buddy film about a stuttering king and the speech coach who helps him get his words out right. Colin Firth and Geoffrey Rush are both quite remarkable in those two roles, respectively. Helena Bonham Carter is quite good too as the king’s spouse. The film takes on even more gravitas when the king’s big speech is assuring a country in a time of war. Some folks may think this film standard or staid, but it really is quite a masterpiece for lovers of language and of exquisite acting. It richly deserves any awards crowns.
Burton’s “Alice in Wonderland” (2010) a Mixed Bag
Tim Burton’s live action take on Alice in Wonderland (B-) is pretty enjoyable, relying, as he does, in style over substance. The visually inventive director has a field day with the 3-D and whimsical characters; it’s a “drink me” dreamscape of oddities to ogle. The film is a pretty fun confection but largely forgettable. Mia Wasikowska is a solid female lead, and Helena Bonham Carter was funny. Johnny Depp may have run out of eccentric ideas.
Eastwood’s “Hereafter” a Stirring Ensemble Drama
Matt Damon and ensemble provide an intelligent, nuanced look at the afterlife in Clint Eastwood’s Hereafter (B+). Three stories “crash” together in a film that is moving while avoiding being sentimental. Deliberately paced but good payoff.
2010 Remake of “True Grit” a Stunner
True Grit (A) is another masterpiece from the Coen Brothers with superb acting from the leads and enough adventure to please western film purists. It’s a fun, feisty and rightly acclaimed modern classic in the Western milieu with Jeff Bridges in the “Rooster Cogburn” role formerly inhabited by John Wayne. Matt Damon and Josh Brolin are also standouts, with newcomer Hailee Steinfeld making a superb impression as a feisty 14-year-old farm girl embarking on a quest for vengeance.
Movie Musical “Nine” Fails to Shine
Rob Marshall’s Fellini and Broadway-inspired Nine (C-), despite gorgeous costumes and cinematography, is as dramatically inert and unengaging a movie as one could imagine. Daniel Day-Lewis gives perhaps the only ho-hum performance in his catalogue. Kate Hudson’s scenes are fun (first time since Almost Famous), and the “curtain call” style ending reinforces the notion of “suppose a lot of major stars congregate and then do virtually nothing.”
“An Education” (2009) is Sublime
Among many end-of-year prestige pics, here’s a gem: Lone Scherfig’s An Education (A+) in which surefire Oscar nominee Carey Mulligan plays a determined British schoolgirl who falls topsy turvy for older man Peter Sarsgaard. The film captured young love with timeless, poignant truth as moments of Lolita-ish unease heighten the heroine’s struggle with moral ambiguities. Mulligan is a revelation and the film an instant coming-of-age classic.
“The Hangover” is a Hoot as Friends Piece Together What Happened Last Night
Todd Phillips’ The Hangover (B+) is vulgar, audacious and altogether winning. Pairing Bradley Cooper, Ed Helms and Zach Galifianakis in a hybrid comedy/mystery, the film follows a gang of groomsmen who must piece together what happened the previous night in a debaucherous Vegas bachelor party where the groom mysteriously disappeared. The episodic antics and misadventures of the so-called “Wolfpack” keep upping the ante, and dark hilarity ensues. These hedonistic Hardy Boys are best when displaying their vulnerabilities, with escalating levels of haplessness. The humor and highjinks add up to a delightful entertainment.