Category Archives: 1993

“Matinee” is Loving Tribute to Theatrical Movie Experience

In a world on the brink, movies often provide the ultimate escape. In Matinee (B-), director Joe Dante explores a weekend during the Cold War Crisis in which a movie mogul (John Goodman) debuts his latest exploitation flick and accompanying in-theater stunts in a way that plays out in real-life adventures with young lovers, paranoid citizens and fascinated fans. A bit of a riff on the War of the Worlds radio play controversy, Matinee spools with a bit of a devil-may-care attitude, relatively unsure of its own target audience (film buffs? nostalgia nuts?) It’s not quite universal enough to be a shared experience, not quite funny enough to draw in the comedy fans. Goodman is nonetheless fantastic as the impresario, hawking an Atomo-Vision gimmick with the sales bravado of Willy Wonka meets Willy Loman. And Dante, of Gremlins and Innerspace fame, is perfect for this material and brings out his usual cast of cameos and in-jokes.

Gere and Foster Make the Most of “Sommersby”

Jon Amiel’s Sommersby (B) is a soapy, post-Civil War-era retelling of the French film Return of Martin Guerre about a war hero (Richard Gere) who returns to his southern home and to his wife (Jodie Foster) and son — but the returning hero may actually be an imposter. But could the guy who returned actually be an improvement over the hubby from before? The script is a bit overwrought and many twists far-fetched, but the actors give it their all, and the production values are strong. Danny Elfman provides a rare and effective romantic score. It’s pretty likely you’ll be hooked to the central couple’s story and on the edge of your seat about how it turns out.