Spike Lee’s concert movie David Byrne’s American Utopia (A) is an often absurdist, sometimes poignant and always joyfully ebullient work featuring twelve troubadours on a Broadway stage making music seemingly ripped from the soul of the here and now. The idiosyncratic Talking Heads lead singer is part narrator and part conjuror in a cathartic protest film structured loosely on themes about the lingering possibilities of the United States experiment. Byrne gleefully marshals an international group of musical artists including two dancers with a peculiar Punch and Judy vibe in a fife and drumline spectacle replete with timely social justice and voting themes. The work is made all the more magical by the mere fact that it was chronicled weeks before New York City productions shut down for the global pandemic. Lee brilliantly captures what it was like to breathe the same air of musicians and fans in a shared live experience and focuses the eyes and ears on the simple pleasures of the performance’s sparse staging: it’s a kaleidoscope of transparent curtains, fancy footlights and swirling shadows to take viewers into the visceral vortex of putting on a show. Familiar singles such as “Once in a Lifetime” and “Road to Nowhere” are joined by compelling new tunes including a jewel of a song lent to the ensemble by the great Janelle Monae. The film’s daring dozen appears to be marching to its own beat and to a better day for the land of the free. For both strident fans of the lead artist and newcomers to his subversive optimism, Lee’s concert film showcases Byrne in fine form and an America strolling in sensational syncopation to a better day.