The palace intrigue and visual effects both get mighty upgrades — albeit with fewer iconic declarations of dialogue — as Ridley Scott returns to the ring for a highly enjoyable Gladiator II (B+). While many of the story beats represent a retread of the Best Picture winning 2000 original film, Paul Mescal steps comfortably into the sandals of the protagonist role and draws viewers in as his character watches Roman emperors (Pedro Pascal among the leaders) conquer his homeland before he endeavors to return a legendary land to glory. As an empire-adjacent antagonist, Denzel Washington is also a highlight as a complex power broker with constant surprises around every turn. His scenery chewing rivals Joaquin Phoenix from the first film. The sequel’s action set pieces including a clash of warriors on ships within a coliseum are stunning. After one questionable sequence involving fake CGI monkeys early on, the film’s visual effects are roundly glorious. There’s a lingering feeling of wanting just a little more emotionally from this film, but it’s hard to argue with the brutal bacchanal of pulpy violence and vengeance on display here. Overall the film is a marvelous and rousing adventure.

Enter the coliseum ready for action-filled melodrama and a leading-man-is-born performance by Russell Crowe as Ridley Scott’s Gladiator (B). This rousing historical epic traces the title character, a former general rising from slavery through the ranks of the arena, determined to avenge the murders of his family and the emperor. Crowe is born for the role, with commanding and believable swagger and swelling speeches and pecs, and he faces a fantastic foil in an outrageous, power-hungry villain played with juicy relish by Joaquin Phoenix. The story gets additional gravitas with the presence of a cadre of veteran actors Richard Harris, Oliver Reed and Derek Jacobi, and Dijmon Hounsou and Connie Nielsen give good performances as allies. While not all that original, the story is a welcome throwback to swords-and-sandals epics of bygone Hollywood. Hans Zimmer and Lisa Gerrard’s score adds to the power of the picture, but some of the special effects work appears too artificial in the ancient world.  All in all, it’s a winner.