Joel and Ethan Coen’s No Country for Old Men (A-) is a cat and mouse caper told by amazing artisans. When Josh Brolin’s character finds a satchel of money, he thinks he’s hit the mother load, until he finds that there’s a tracking mechanism, and the tracking is being done by super-scary hitman Javier Bardem. This neo-Western breaks lots of rules – no music, minimalist sound sculpture, weird ending and the like. But it’s a consistently entertaining thriller that tells its story in its own idiosyncratic way.
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