Even though it chronicles the sad tale of the breakdown of a marriage, Noah Baumbach’s Marriage Story (A) is bittersweet bliss. Adam Driver and Scarlett Johansson give career-best performances as the couple in the story’s center, a director and his actress muse, respectively, who find themselves separated by an emotional gulf and soon a geographic one as his NYC career flourishes and as she moves to L.A. to film a pilot. Their characters’ drift away from each other is less the result of a bombshell than simply desiring different approaches to matrimony and how they live their lives. And although they have become too closed-off from one another to thrive as a functional unit, the complicated mechanics of divorce – and what it all means for the couple’s sole offspring – become the trigger point for high drama. Ray Liotta, Alan Alda and Laura Dern are magnificent as acerbic orbiting attorneys, with Dern in particular delivering mightily as the woman empowering Johannson’s character to strike faster and harder. Baumbach makes his audiences deeply care about the proceedings with endearing and intimate close-ups, flashes of humor and a brilliant take on human relationships. The acting is so good, it feels like a documentary. Tragedy is tough, but this ensemble demands attention. Even Randy Newman’s sometimes spry, sometimes sanguine score is a delight, although it’s pretty much the opposite of “You’ve Got a Friend in Me.” The film is searing and sensational and will likely be absorbing must-see viewing in your queue. Prepare for the streaming, especially from your eyes.
2 thoughts on ““Marriage Story” is Blissfully Dour”