Movie Review: Everything Everywhere All at Once (2022)

Now playing in select theatres from A-24.

This is the ultimate film fantasia for channel surfers, with something pretty, punchy or profound to discover with each push of a button. The writing and directing duo known as Daniels have crafted their choose your own adventure inspired epic Everything Everywhere All at Once (B+) as one of the most complex and absurdist mind-trips set to screen. A blissful Michelle Yeoh plays a woman being audited by the IRS who realizes she has the power to exist in multiple universes and must thwart a familiar antagonist hell-bent on destroying them all. Aside from the creators’ meticulously crafted vision, which at times is too much of a good thing, Yeoh is a revelation, alternately summoning physical comedy, familial empathy and martial arts skills like they are hard wired in the game console of her acting brain. Helping her process all the new data is former Goonie Ke Huy Quan, who showcases fancy footwork in one of the film’s big choreographed action sequences and is great fun in a spry ensemble featuring Stephanie Hsu, Harry Shum Jr. and James Hong. Jamie Lee Curtis is also on hand as a quirky clerk with some outrageous pratfalls and unusual talents of her own. Center-punched for stylized fight sequences, ornate set pieces and everyday domestic drama, Yeoh is masterful maneuvering the demands of the black comedy and sci-fi elements alike. The Daniels are gleeful in throwing in every madcap notion, and Yeoh catches each of their creative impulses like juggling balls to keep aloft. The audacity of it all and the pacing ultimately weigh the film down a bit, but it’s hard to argue viewers have seen anything like this before.

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