Movie Review: Mank (2020)

In select theatres + Netflix December 4, 2020.

A curio for film buffs likely to prompt profound admiration more than deep connection, David Fincher’s Mank (B) chronicles several critical years of iconoclast writer Herman Mankiewicz in Hollywood’s Golden Age as he confronts political corruption in the studio system and tenders the script to the legendary Citizen Kane. For Fincher, it’s less what the film is about than how it is about it as he films the movie in vintage black and white with monoaural sound and rhythmic language to a rat-a-tat score. No doubt the visual landscape is sumptuous. Gary Oldman is superb in the lead, even though his character’s motivations are at arm’s length and lensed through a saucy gauze. Amanda Seyfried is a hoot as Marion Davies, the chorus girl turned actress and mistress of William Randolph Hearst; honestly the film lights up when she’s on screen. The movie is darkly cynical but not without its charms. The main character has a way of growing on you, even within a patchwork and sometimes dreamlike pastiche structure. It’s a fascinating experiment for movie history aficionados which, like its protagonist, may press the patience of most everyone else.

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