Movie Review: The Lobster

imageAn absurdist sci-fi fantasy, a cunning comedy and a metaphorical meditation on the oddities of being a single person on the planet earth, Yorgos Lanthimos’ The Lobster (B) is a beguiling think piece that both advances the contention that Colin Farrell has become one of film’s great comic actors (a great companion piece to In Bruges) and the notion that a puzzle of a movie can still be a jigsaw short of its razor-sharp intentions. Farrell plays a sad-sack single who checks in to a rigorous retreat center where guests either pair up with a companion based on a very superficial physical trait or permanently transform into an animal. This droll, deadpan fable is largely able. Alas the episodic structure doesn’t provide much of a compass to guide viewers to where this is all heading (nor does the ending); but like Her, Gattaca or Dogville, it follows some intriguing internal logic. The dark comedy largely delivers; and even with some final act problems, it is a remarkable production that will stimulate discussion. Farrell’s fussy scruffiness, the craziness of his road to wellville and some fierce supporting characters (Ariane Labed as a hotel maid, Ben Whishaw and John C. Reilly as fellow guests at the recovery residence, Léa Seydoux as a freedom fighter and Rachel Weisz as a mystery woman) buoy this indie original.



I've reviewed films for more than 20 years. Current movie reviews of new theatrical releases and direct-to-video or streaming films are added weekly to the Silver Screen Capture movie news site. Many capsule critiques originally appeared in expanded form in my syndicated Lights Camera Reaction column.

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Posted in 2016, Rent It Tonight

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