A triumph of production design with a colorful supporting cast surrounding a bit of a hollow central storyline, Guillermo del Toro’s The Shape of Water (B) reimagines The Creature from the Black Lagoon in 1960s Cold War Baltimore with Sally Hawkins as a mute janitor at a military science lab who falls for Doug Jones’ captive Amphibious Man. It’s a visually arresting and solidly rendered fairy tale for adults, but the quirky central couple doesn’t get to do much more than display the traits of their tropes in an update of archetypes. Hawkins is effective in the quirky lead role, but the juiciest parts are played by Richard Jenkins and Octavia Spencer as her wry sidekicks and Michael Shannon as a corrupt colonel with a penchant for popping pills from a grotesque gangrenous hand. His unhinged performance, marked by a myriad of deplorable traits, is one of the film’s most notable delights. Alexandre Desplat’s score, layered with stardust melodies from classic Hollywood, sets the mood gracefully for outcasts in love. Del Toro clearly has a singular vision for his monster romance, but the film suffers from tonal shifts as its final act revolves into a protracted waiting game. Ultimately this beauty is missing a few beats.