The new film Living (A-), directed by Oliver Hermanus, has a sterling lineage from an earlier incarnation as an Akira Kurosawa film and a Leo Tolstoy novella, and this fresh telling with the deeply moving Bill Nighy in the lead proves it’s a tale worth retelling. Nighy plays a bureaucrat in 1950s London who re-examines his outlook when he learns he has little time to live. The lead actor is the standout in the ensemble, exhibiting restraint in the most remarkable ways. Aimee Lou Wood is a wonderful foil as a peppy friend and colleague who reminds the protagonist of his youth and happiness. Hermanus frames the film with classic film tropes including the way opening credits and dissolves occur, and this format imbues the story with the feeling it’s just been found in a vault of favorites. The crafts are impeccable, from Kazuo Ishiguro’s crisp adapted screenplay to Sandy Powell’s handsome costumes to Emilie Levienaise-Farrouch’s soaring score. It’s a brisk and inspiring tale with at least one temporal twist shaking things up a bit. It will be remembered for Nighy’s performance and leaving audiences shedding happy tears.