
Louis Clichy’s French animated film Le Corset (The Iron Boy) (B) turns an anxiety-ridden farm boy’s physical and emotional confinement into a simple, sentimental fantasy. Featuring the voices of Gary Clichy, Rod Paradot, Brune Moulin, Alexandre Astier and Jean-Pascal Zadi, the story follows a child who begins collapsing without warning, must wear a rigid iron brace and discovers music, friendship and new possibilities beyond his farmland origins. The lively, hand-drawn watercolor animation is at once artistic and accessible, with whimsical flights of fancy rendered in blue and yellow hues that invite viewers to flex their imaginations and fill in the details. It is heartfelt, engaging and relatable enough to enchant both children and adults. The limited facial detail, however, creates a slight emotional distance from characters whose feelings should land with even greater force. French-speaking viewers may also find it easier to let the delicate imagery wash over them than audiences dividing their attention between pale sketches and lightly colored subtitles. Even with those barriers, Le Corset wears its tenderness proudly and proves there is considerable strength beneath its steely exterior.









The classic toys that come to life in John Lasseter’s Toy Story (A-) are among the most endearing new creations developed for the screen. Pull-string cowboy Woody (Tom Hanks) and rival-turned-pal astronaut toy Buzz Lightyear (Tim Allen) preside over a pixel playroom of great characters including Mr. Potatohead, Slinky Dog and other favorites come to life. When there’s trouble in toyland, it’s time for teamwork, and the saccharine sweetness never gets too much to turn off adult audiences who are watching with kids. The Randy Newman ballads are a little treachly, but everything else is super-fresh, and Pixar Studios shows why it’s the high-tech hotshot on the scene with 110,064 frames of computer animation that translate into absolute enjoyment.