Movie Review: Get Out

Prepare your senses for the clock-woke orange pulp confection of audacious moviemaking to hit a nerve in some time. Funnyman-turned-first-time-director Jordan Peele’s psychological thriller Get Out (A-) is a suspenseful and lively tale of a twentysomething black photographer (Daniel Kaluuya) visiting the suburban family of his white girlfriend (Allison Williams), and the maiden voyage is a mindbender. Let’s just say that after the home tour, the events that follow will leave you guessing about a whole lot more than who’s coming to dinner. From the spot-on casting of Williams’ ultra-progressive parents to the sustained sense of dread around the townspeople and groundskeepers, Peele depicts the mounting terror that may be afoot in the neighborly facade. It’s like Shining-era Stanley Kubrick got an all-out David Lynching. Themes about the appropriation of race and culture are seamlessly marinated into a savory stew of a storyline; and the acting, music, sounds and setting all work in harmony to incredible effect. Catherine Keener is a standout as a therapist with unconventional hypnotic techniques, brilliantly rendered. As a horror film, it’s less gory and more allegory. But it’s edge of your seat material and sure to be the conversation starter of the year!

I've reviewed films for more than 20 years. Current movie reviews of new theatrical releases and direct-to-video or streaming films are added weekly to the Silver Screen Capture movie news site. Many capsule critiques originally appeared in expanded form in my syndicated Lights Camera Reaction column.

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Posted in 2017, Rent It Tonight

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