With a Hitler youth and his imaginary friend Adolph as central protagonists, it’s stunning that Taika Waititi’s WWII-set black comedy Jojo Rabbit (B-) gets its satiric tone right even some of the time. Blending what could only be described as a Wes Anderson aesthetic with a coming of age story (oh, that was already done in Moonrise Kingdom?), Waititi writes, directs and even plays a sassy version of the make-believe Nazi mastermind with acerbic aplomb. While marquee stars Scarlett Johansson, Sam Rockwell and Rebel Wilson lend deft performances, it’s really the kids on center stage: the staunch ten-year-old German boy (Roman Griffin Davis) who finds his mother (Johansson) is harboring a Jewish girl (Thomasin McKenzie) in her attic during the waning weeks of the war. A grab bag of gags and droll set-ups give way to somewhat unearned sentiment. By far, McKenzie is the VIP here as the teen who’s largely the only grown-up in the room. Waititi disarms viewers with his unusual point of view and waltzes just a bit toward schmaltz. Still, it’s daring, occasionally funny and sometimes insightful. I expected more hop and less garden variety, more revisionism and less requiem. This will likely be the only movie remotely like this getting a rather wide release.