True Grit (A) is another masterpiece from the Coen Brothers with superb acting from the leads and enough adventure to please western film purists. It’s a fun, feisty and rightly acclaimed modern classic in the Western milieu with Jeff Bridges in the “Rooster Cogburn” role formerly inhabited by John Wayne. Matt Damon and Josh Brolin are also standouts, with newcomer Hailee Steinfeld making a superb impression as a feisty 14-year-old farm girl embarking on a quest for vengeance.
Tag Archives: Drama
“An Education” (2009) is Sublime
Among many end-of-year prestige pics, here’s a gem: Lone Scherfig’s An Education (A+) in which surefire Oscar nominee Carey Mulligan plays a determined British schoolgirl who falls topsy turvy for older man Peter Sarsgaard. The film captured young love with timeless, poignant truth as moments of Lolita-ish unease heighten the heroine’s struggle with moral ambiguities. Mulligan is a revelation and the film an instant coming-of-age classic.
“Inglorious Basterds” (2009) Finds Revisionist History in Wartime
Quentin Tarantino’s Inglorious Basterds (B+) is an audacious piece of revisionist history that imagines what WWII might have been like if a couple of clever factions of bounty hunters, cinephiles and revenge seekers could have tried to kill Hitler at a movie screening. Leave it to Tarantino to take such a high-concept idea to such delicious detail and cast his film with such relish, especially with Christoph Waltz as a particularly menacing Nazi officer and Brad Pitt as a motormouthed mercenary. Some moments are uneven, but overall, this one hits the mark.
“Up in the Air” Captures Unease and Humor in Era of Layoff Culture
In Jason Reitman’s Up in the Air (A+), George Clooney gets his perfect role: a bit of a Br’er Rabbit of the friendly skies. As a job axman on the frequent flier circuit, he falls to earth when paired with spunky Anna Kendrick and affaired with sultry Vera Farmiga. It’s an acerbic, moving film that flawlessly captures the tone of a nation in economic recovery.
“A Single Man” is Perceptive Drama
Latest Oscar bait update: Colin Firth is heartbreaking as a man grieving the loss of a lover in A Single Man (A-). In his directorial debut, fashion designer Tom Ford tailors a great character study similar in texture to Gods & Monsters. I finally see why Firth has such a following, and one of my faves Julianne Moore has a wonderful small part.
Lars von Trier Directs Disturbing “Antichrist” (2009)
Lars von Trier’s Antichrist (C-) is a well acted and supremely disturbing art house horror film ostensibly about the grieving process by a couple for their deceased child and ultimately a bizarre requiem summoning imagery from the Biblical fall from grace at Eden through the mistreatment of women in Salem. Some of the metaphors and mystery are spellbinding and others less revelatory than Trier may have intended. Despite conjuring fearless performances by Willem Dafoe and Charlotte Gainesbourg and maintaining an eerie slow burn of mounting imagery of dread and isolation, the iconoclast filmmaker can’t get out if his own way to make sense of muddled themes and mixed messages. The NC-17 rated film is full of graphic imagery and is not for the faint of heart.
Bigelow Gives Big Heart to “Hurt Locker”
Kathryn Bigelow’s The Hurt Locker (A-) focuses on Jeremy Renner and Anthony Mackie as soldiers who dispose of bombs during the Iraq War and how they get deeper and deeper into their mission. Told with stunning authenticity and reverence for the work of the military, it’s a highly dramatic and exciting film as well as a technical marvel.
“Slumdog Millionare” an Amazing Adult Fairy Tale
Danny Boyle’s India-set Slumdog Millionaire (A) is an adult fairy tale with elements of magical realism that shows how fate and fortune weave their way into our lives for our own version of happily ever after. As the boy (Dev Patel) who wants to get the girl (Freida Pinto) struggles through poverty, cross-country adventures and ultimately a game show that conjures up his life’s learnings, the brilliant bright-colored cinematography and A.R. Rahman’s propulsive score fuel an absolutely delightful story that will hook you in to its spell. This is an accomplished piece of cinema that will speak to people from many backgrounds around the globe.
You’ll Fall Slowly and Instantly in Love with Musical Almost-Romance “Once”
John Carney’s Once (B+) is a treasure box of a musical with an unassuming storyline showcasing a man and a woman who enter each other’s lives when they need each other most. Glen Hansard and Markéta Irglova play the unnamed pair – he, a busking Irish guitarist and she, a Czech pianist, who find themselves “Falling Slowly” into the spell of making beautiful music together. Very much in the vein of Before Sunrise, the duo are fated to be together and bring out talents and insights in each other that they never could have found separately. In its simplicity and handheld look and feel, it celebrates the joy of discovery and the brilliant promises of second chances at love.
Coen Brothers Craft Mighty “No Country For Old Men”
Joel and Ethan Coen’s No Country for Old Men (A-) is a cat and mouse caper told by amazing artisans. When Josh Brolin’s character finds a satchel of money, he thinks he’s hit the mother load, until he finds that there’s a tracking mechanism, and the tracking is being done by super-scary hitman Javier Bardem. This neo-Western breaks lots of rules – no music, minimalist sound sculpture, weird ending and the like. But it’s a consistently entertaining thriller that tells its story in its own idiosyncratic way.
“Shortbus” Creative and Sexually Daring
Explicit and magical, John Cameron Mitchell’s Shortbus (A) is a sprawling ensemble about sexual release in modern New York and is one of the best films of 2006. Sook-Yin Lee and Paul Dawson are among the superb members of a cast in overlapping stories of lust, loneliness, longing and liberation. With dandy music by Yo La Tengo and clever animations surrounding a phenomenal menagerie of human characters, this freestyle film is experimental, daring and fascinating.
Todd Field Helms Brilliant, Unsettling “Little Children”
Todd Field’s Little Children (A) is a film about unease in modern-day suburbia featuring Kate Winslet and Patrick Wilson as a couple meeting up at the neighborhood swimming pool and having an affair. Meanwhile, a freaky neighbor (Jackie Earle Haley) is possibly on the prowl for his own kind of release in the community. Field once again draws amazing, absorbing performances from his actors and doesn’t give obvious hints about where his plot is headed.